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![]() ![]() See the instructions for pairing your XFINITY remote and TV box. The LED will blink green twice to indicate that the remote was reset.Īfter the factory reset is complete, you'll need to re-pair your remote with a TV box. ![]() Press the Setup button until the LED at the top of the remote changes from red to green. If the buttons on your voice remote from XFINITY (model XR11) are still unresponsive, you may need to perform a factory reset. If the buttons are still unresponsive, chat with us for assistance.įactory Reset the Voice Remote from XFINITY If the LED flashes red five times on any button press, this is an indication that the batteries are very low and should be replaced. If the LED does not flash at all, replace the batteries and try again. If you have an XFINITY remote and the buttons are not responding or performing as expected when you press them, follow the steps below to troubleshoot the problem. Verbatim from Comcast: Remote Control Buttons Don't Work - Troubleshooting If it still doesn't work, return the remote and exchange the remote for a new remote at a Comcast Xfinity location. If it doesn't immediately work, check the Comcast instructions below - related to battery life - repeating the process. The volume button (up and down) doesn't work.ġ) Press the Setup button (lower left) until the top All Power button illuminates and changes from red to green.Ģ) Immediately after the All Power button turns green, enter 9-8-1, using the number keys.ģ) Next, check the volume button (up and down), which should now work, indicated by hearing the volume change and the TV display showing the horizontal volume slider indicator with movement. Setup buttons work and you can even pair the remote but The change channel buttons (up and down) work, The symptoms might include the following. You may have discovered one day that your Comcast Xfinity Remote XR2 version R1 Remote doesn't work property. Right now the general public can only invest in businesses listed on the stock exchange. Sam’s right: it’s easier to buy an NFT than purchase Amazon stock. What crypto did is made it easy for anybody to invest money in anything they want. You only think that’s okay if you’re a privileged white dude. They think slow transfers of money from one side of the world to another, and 31% of the global population without a bank account is okay. Many people do not understand the urgency to fix our financial system. It is bad for society that it’s easier to invest millions of dollars into an NFT than a startup. - Sam Altman, Y-Combinator Many people don’t know this.Ĭheat code: Own financial assets to avoid the effects of asset inflation. The point: bank loans also print money out of thin air. So $1 billion becomes $10 billion of debt. The bank’s borrowers can then lend 90% of that. If $1 billion dollars is given out to the banks, they can lend out $900 million of it. Many people don’t understand that when money is created out of thin air, most of it, first goes to banks. That’s why the US stock market is at record highs after one of the worst events in history for the global economy. The rich put that money into financial assets like stocks. If you don’t, it’s worth understanding it.Īll of this excess money ends up in the financial system, mostly with the rich. ![]() Most of you already understand this idea. See, since March of 2020 40% of all US dollars in history were created out of thin air. The hidden inflation Naval talks about is asset inflation. People think I love stocks or crypto because I’m trying to be cool or look smart. If your income is coming from labor rather than assets, you’re being decimated by hidden inflation - Naval Ravikant When you want to escape you can’t because the stuff you bought has gone down in value, making it impossible to recoup the money you spent and to remove the shackles of debt.Ĭheat code: if your income increases, don’t spend more. That leads to a feeling of being trapped. If you miss a few paychecks you can’t meet your expenses. Therefore, you become a slave to your income. Overspending forces your income to never rise. ![]() We talk a lot about social media or drug addiction, but we rarely talk about spending addiction that keeps people poor.Īuthor James Clear gives this advice: “Fix overspending before it becomes a lifestyle.” It’s not that their job pays them poorly. Many of them end up making a lot of money because their skills are crucial for society to function.Ī lot of them work extremely hard though. Their income is now a slave to debt because it’s hard to outearn bad spending.Īs much as I hate college it is required for people like doctors, lawyers, and engineers. ![]() Then bought a $900k home, $100k Porsche, $70k Tesla, and $400k beach home There are brilliant surgeons, lawyers, engineers who still don’t sleep well at night because they took their $300,000+ salary People smarter than me reframed my basic ideas about money. Research says “When that frame is shifted, the meaning changes, and thinking and behavior often shift along with it.” That frame determines your point of view. Cognitive reframing, as it’s known, is how we view an area of our life through a frame.
![]() "C:\Program Files\FlightGear 3.4.0\bin\fgfs. Thanks in advance for any assistance that you can offer o love to fly it.Ĭode: Select all FG_ROOT="C:Program Files\FlightGear 3.4.0\dataįG_SCENERY="C:\Program Files\FlightGear 3.4.0\terrasync C:\Program Files\FlightGear 3.4.0\data\SceneryĬ:\Program Files\FlightGear 3.4.0\scenery" I have screen shots of these errors, but could not figure out how to get them from my system into this post. (A suitable version is included with Linux distributions) Prerequisite: Glut (FreeGlut) OpenGL Utility Toolkit (GLUT) library. ![]() Prerequisite: Boost free peer-reviewed portable C source libraries. 'are not recognized as internal or external commands, operable programs, or batch files. OSG version 3.4.0 or newer is recommended for best results. My Command Prompts attempts receive errors that FG_scenery, etc. bat file I have been trying to run is on my Desktop and get the error that the system can not find path specified. Win 7 will not let me save a batch file in c:\program files\. After reviewing some issues on the forum, I deleted my existing FG 3.0.0 Folder used CCleaner to delete old software Registry entries and I am still not flying the simulator. ![]() I have tried Batch files and Command prompts to get the simulator to run, no dice. I came back to it in July 2015 and down loaded version 3.4.0 from Mirror 1. Description This update provides a security fix related to the Nasal scripting language. Not much happened with that exercise, I never got the sim to run. Fedora 22 : FlightGear-3.4.0-4.fc22 / FlightGear-data-3.4.0-2.fc22 (2015-6557) high Nessus Plugin ID 83073 Language: English Information Dependencies Dependents Changelog Synopsis The remote Fedora host is missing one or more security updates. I installed Flight Gear 3.0.0 from purchased DVD on (April Fools Day.hmmm?). WIN 7 64 bit - Flight Gear 3.4.0 - Graphic card AMD Radeon HD 7400 Series.įlight Wizard comes up on the 'Select an Aircraft Page'. ![]() ![]() The tone is such that you’d almost believe this was a band straight out of the South, Skynyrd-esque riffs that can’t get any more amazing until all of a sudden they do. The slower tracks, New Salvation and Hallelujah show off the vocals but the tracks which stand out for me are the ones where the guitars really go for it. This is an album so full of “groove and feel” you think they must have taken that statement as their mantra. Be as loud as you want, sure, turn it up to eleven, but if I can’t hear the melody I’m not interested. We aim to leave you wanting more!” I love that sentiment, there’s no point in just making people’s ears bleed. The band’s Facebook bio states, “Groove and feel are as important as power and volume. It’s a quality that reminds me of Neil Fallon, and a comparison to Clutch is always a positive coming from me. It’s deep, rough, but each line is sung in such a way that you feel he’s trying to teach you a lesson, like you must listen because he’s telling you something important. Carl Batten’s vocal comes straight from his boots. ![]() It’s so polished, so brilliantly produced, but also as raw as hell and so powerful you just want more. From the beginning of title track Black River, as doom-laden an intro as you’ll ever hear, through the riffs of Down and Judgement Day you’ll be three songs in and arguing with anyone who’ll listen that there’s no way in hell this is a debut. Having only been together since late 2012 Doomsday Outlaw might have been expected to fall into this category, but in fact nothing could be further from the truth. On the evidence of Black River I’d say they have a good shot at reaching the finals again, and maybe even getting to Bloodstock this year.ĭebut albums can be a bit iffy, the band hasn’t quite got their sound down yet, or they can play great live when no one really notices the mistakes but can’t do it in the studio. They’ll be competing in the East Midlands semi-final in June. Fast forward a year and the album Black River is out and the band are back at Metal to the Masses. Doomsday Outlaw are a five piece from Derby who went into the studio to produce this, their debut album after reaching the East Midlands finals of Metal to the Masses but narrowly missing out on a spot at Bloodstock Open Air in 2014. ![]() Options(contrasts = c("contr.sum","contr.poly")) # shorter, but equivalent, way to do this # Create labelled factors for w-s factors The code looks like this (assuming as usual that the data are attached so variables are local): That’s the “options” statement in the code right after the “car” library is loaded. Second, R needs to have a default set so that it computes sums of squares properly for the mixed design. First, of course, is that R has to be told explicitly that something is a factor. This is, in fact, also a fairly simple modification of the strictly within-subjects code from last time as well. SPSS produces a lot of other output, including multivariate tests and all kinds of default contrasts, but that’s not new here. ![]() Finally, SPSS provides the tests of between-subjects effects, which in this case isn’t very interesting, but it is necessary for completeness. SPSS only gives partial eta squared, which is probably the worst of them all, but it’s (very slightly) better than nothing. Same basic effects for all the purely within-subjects parts, but now we pick up the interaction of “group” and drug type, which was evident in the graph.Īlso notice that this time I requested effect size estimates. Next is the big ANOVA table with all the within-subjects factors. How they get away with this year after year, version after version, is simply beyond me. R gets it right, below, so look there to see the correct number. It’s not way off, but it’s a little bit off. SPSS has known about this bug for decades, but hasn’t fixed it yet. If you have a between-subjects factor, SPSS’s computation of the Hunh-Feldt epsilon is WRONG. That looks like this:Īnd here’s our first really, really serious problem. The next thing it produces is the sphericity output, which is now different because of the between-subjects factor. In addition, since there is now a between-subjects effect, it provides a listing of the number of subjects in each between-subjects group, like this: SPSS produces the same printout that shows the pairings between the individual variables and the levels in the repeated-measures design so I won’t repeat that here. This is the same as the entirely within-subjects code, but with the addition of “BY Group” which tells SPSS to include a between-subjects variable. Adding the between-subjects effect actually generates an interaction, which looks like this:Īgain, SPSS makes the easy things easy, and the code to get SPSS to do this is straightforward: In the within-subjects part of the design, there were main effects of drug type and dosage, but no interactions. The data file is just as described in that last post, with 11 variables: subject number, the group number (the between-subjects variables) an then 9 measurements that make up the 3 x 3 within-subjects part of the design. I’ll continue to use the Elashoff data set that I used in the last post the data are in the file elashoff.xls. That is, an ANOVA with both within-subjects and between-subjects factors. This post will cover a simple mixed repeated-measures ANOVA. As usual, it’s been far too long since I’ve posted, but the fall semester is coming and I’ve been ramping back up on both SPSS and R lately and I’d like to get in a couple more posts to finish off this series. But a darkness known as the anomaly began to spread, swallowing gates and planets alike. Explosions ripple and erupt across hulls as one fleet stakes its victory over another.ġ00 years ago, Karan S'Jet unlocked a vast and ancient hyperspace gate network that opened up the entire galaxy to trade and exploration. Iconic ships cast silhouettes over the remains of ancient civilizations. Strike craft fly in formation between hulking Battlecruisers against a backdrop of stars and nebulae. Homeworld’s timeless art style evolves with modern technology, offering an incredible sense of scale, destruction, and wonder. Strike craft pilots and capital ship captains pass along critical information through battlefield chatter. Your fleet persists from mission to mission. Homeworld 3’s fully simulated ballistics make line of sight and cover critical strategic considerations. Dangerous space phenomena like particle storms and asteroid fields will test even senior commanders.Īttack head-on, with a clever flank, or even from above and below your foes. Fortresses teem with menacing turrets and invite your strike craft into dangerous trench runs deep behind enemy lines. ![]() ![]() Use the crumbling remains of an ancient civilization to funnel foes into a brilliant ambush or hide your fleet from powerful enemies. ![]() Hulking space derelicts called megaliths bring 3D terrain into the classic Homeworld battlespace. Assume control and battle through fleet combat in dazzling, fully 3D space while the award-winning story unfolds on a galactic scale. Tactical, beautiful, and wholly unique, the GOTY-winning sci-fi RTS returns with Homeworld 3. While Serling worked 12 hours a day seven days a week, his wife, Carol, whom he had met at Antioch College, tended to their daughters, Jodi and Anne. Over the course of his career, Serling wrote an estimated 252 scripts and won a total of six Emmys. Serling spent his later career hosting Rod Serling's Night Gallery and teaching screenwriting at Ithaca College. After a stint of screenwriting, he returned to television writing in 1970. In 1968, Serling co-wrote the screenplay for the original movie version of Planet of the Apes. The Twilight Zone ran until 1964 and garnered Serling his third Emmy. Not only did Serling write the series, but he was also the face of it, serving as its on-screen narrator. Instead of continuing to fight inevitable censorship, in 1959 Serling turned from realism to the sci-fi fantasy genre, with the iconic series The Twilight Zone. CBS got its way and heavily revised his script about lynching, entitled A Town Has Turned to Dust, and another about corruption in a labor union, called The Rank and File. During the late 1950s, Serling fought the CBS network when they insisted on editing his controversial scripts. Serling's second Emmy win came a year later, with the 1956 production of Requiem for a Heavyweight, starring Jack Palance. Patterns earned Serling his first Emmy Award. In 1955, he branched out into television script writing with the TV business drama Patterns. In 1948, Serling moved to New York City and entered the work world as a struggling freelance radio writer. After the war, Serling attended Antioch College in Ohio. His traumatic experiences would later serve as inspiration for his writing. To compound matters, Serling's return from the war was followed by the devastating loss of his father, who died suddenly of a heart attack. He was sent home with a Purple Heart and emotional battle scars that would haunt him for the rest of his days. During the war, Serling was injured in his knee and wrist at the Battle of Leyte in the Philippines. Contrary to his intention, he ended up becoming a paratrooper in the Pacific theater. Army during World War II, with the aim of fighting the Nazis in Europe. When Serling was 2 years old, he and his family moved to the quiet college town of Binghamton, where his dad opened a grocery store.Īfter graduating from Binghamton High School, Serling enlisted in the U.S. Television writer and producer Rod Serling was born Rodman Edward Serling on December 25, 1924, to a Jewish family in Syracuse, New York. Over the course of his career, he wrote 252 scripts and won six Emmys. Serling died in Rochester, New York, on June 28, 1975. In 1968, he co-wrote the screenplay for Planet of the Apes. In 1959, he turned to the sci-fi fantasy genre, with The Twilight Zone. In 1955, Rod Serling won his first Emmy, for writing the TV business drama Patterns. ![]() A card thicker than that is considered a flat or large envelope, with different postal rates. A ¼” is the maximum thickness for a standard piece of mail, including postcards larger than 4.25″ x 6″. In addition to width and height, depth (thickness) also has minimum and maximum limits. Non-rectangular postcards must be enclosed in envelope & mailed at letter rate. Use the wrong return address position, and all of your postcards might mistakenly be sent to the sender! The relative position of To: and From: will determine which address the Post Office uses for delivery. Including a return address is a great opportunity for branding and providing contact info, but be careful with the positioning of the return address in relation to the mailing address. The address locations are also important to scanners. Underlines: Additional ink near the letters can confuse the character shapes, so no underlines.Leading: If you don’t use all caps, overlapping characters can happen between lines of text as well, so leave enough vertical space clear between lines.Keep the horizontal letterspacing so that each character stands alone without overlap. Spacing: Overlapping characters caused by too much tight kerning/tracking can confuse the scanner, but extreme letterspacing can be a readability problem,.Size: 10 to 12 point is optimal for the postal scanners to read, so make that cap-height your minimum.Case: Uppercase letters are more evenly shaped and easier to scan, so use all-caps whenever possible.Face: Serif and script typefaces may be difficult for pre-sorting scanners to read, so the Post Office recommends sans serif. ![]() Follow the recommendations below so that automated postal equipment can read and understand the address text. The mail-to address is critical to delivery. ![]() International Postcard Rates (As of 2/2010) Postcard Rates |